Date: Mon, 12 Mar 90 09:40:00 EST From: "A.MARSDEN" To: KIPPENJ@VM.EPAS.UTORONTO.CA Subject: JB Bibliography - ASCII 80 col Publications by John Blacking [Taken from JB's c.v. of 1986, with additions and ammendments from Queen's University's Vice Chancellor's reports 85-86, 86-87, 87-88 and 88-89. Reviews not included; material in c.v. listed as "Chief publications" only. AM] Black Background: the childhood of a South African girl, 1964 (rep. 1976). Venda children's songs: a study in ethnomusicological analysis, 1967. Process and product in human society, inaugural lecture, 1969. How musical is man? 1973. Paperback edition, 1974. 2nd edition, 1976. Man and fellowman, inaugural lecture, 1974. The anthropology of the body (edited, but including Preface and paper 'Towards an anthropology of the body'), ASA monogranh No. 15, 1977. In co-operation with Joann Keali'inohomoku, eds. The performing arts: music and dance. World Anthropology series. The Hague, Mouton, 1979. pp. 344. Music from Petauke, two volumes of gramophone records, published in 1963-5. Venda music, a tape of recordings with notes, published in 1974. Edward Simpson, alias 'Flint Jack', a Victorian craftsman, Antiquity, 1953. Musical instruments of the Malayan aborigines, Federation Museums Journal, 1955. Notes on a theory of rhythm proposed by von Hornbostel, African Music, 1955. Eight flute tunes from Butembo, African Music, 1955. Fictitious kinship amongst girls of the Venda of the Northern Transvaal, Man, 1959. Problems of pitch, pattern, and harmony in the ocarina music of the Venda, African Music, 2, 1959. The social value of Venda riddles, African Studies, 20, 1961. Patterns of Nsenga KALIMBA music, African Music, 2, 1961. Musical expeditions of the Venda, African Music, 3, 1962. Some social effects of migrant labour on rural Africans, B1ack Sash, 1964. Myths about man and society, Scientific South Africa, 1965. The role of music in the culture of the Venda of the northern Transvaal, Studies in Ethnomusicology, 2, 1965. Studying and developing music in East Africa, in East Africa's Cultural Heritage, 1966. Economic development, culture, and the arts, in East Africa Journal, 1967, and in The Challenge of Development in Africa, 1968, as Art and Culture in Africa's Economic Development. Problems of government in African states, Black Sash, 1967. Initiation and the balance of power - the TSHIKANDA girls' school of the Venda, in Ethnological and Linguistic Studies in Honour of N.J. van Warmelo, 1969. Songs, dance, mimes and symbolism of Venda girls' initiation schools, African Studies, 1-4, 1969. Tonal organization in the music of two Venda girls' initiation schools, Ethnomusicology, 1970. Music and the historical process in Vendaland, in Essays on music and history in Africa (ed. K. P. Wachsmann), 1971. The myth of urban man, in Focus on cities (ed. H. L. Watts), 1970. Towards a theory of musical competence, in Man: anthropological essays in honour of 0 F. Raum (ed. E. de Jager), 1971. The value of music in human experience, IFMC Yearbook for 1969, 1971. Man and Music, Times Literary Supplement, 19 November, 1971. Deep and surface structures in Venda music, in IFMC Yearbook for l971, 1972. Fieldwork in African Music, in Reflections on Afro-American Music (ed. Dominique-Rene' de Lerma), 1973. Reprinted in Review of Ethnology, 1973. Dance, conceptual thought and production in the archaeological record, in Problems of Social and Economic Archaeology (ed. G. de G. Sieveking, K.E. Wilson, and I.H. Longworth), 1976. Ethnomusicology as a key subject in the social sciences, in In Memoriam Antonio Jorge Dias, 1974. The value of musical experience in Venda society, The World of Music, 1976. Can musical universals be heard? The World of Music, 1977. An introduction to Venda traditional dances, Dance Studies, Vol. 2, 1977. The study of man as music-maker (in French), Musique en Jeu, 1978. Problems of theory and method in the study of musical change, IFMC Yearbook, 1979. Uses of the kinship idiom in friendships at some Venda and Zulu schools, In Argyle, J. and Preston-Whyte, E. eds. Social system and tradition in Southern Africa. Cape Town, Oxford University Press. 1978. pp. 101-117. Ed. Aspects of family life in Ireland. J.Comp.Fam.Stud., vol. 10. no. 2. Special issue. 1979, pp. viii; 141-275. Introduction. In Blacking, J., ed. Aspects of family life in Ireland. J.Comp.Fam.Stud., vol. 10, No. 2. Special issue. 1979. pp. i-viii. Affect, intellect and the arts. Graduation address given at Dartington College of Arts, 2nd July 1978, Totnes, Dartington College, 1979. Occas. pap. pp. 1-18. Music is multimedia communication. World Assoc. Christ. Churches J., vol. 26; no.2 1979. pp. 3-7. Towards an anthropology of the body. In Blacking, J., ed. The anthropology of the body. London, Academic Press, 1977. pp. 1-28. The power of ideas in social change: the growth of the Africanist idea in South Africa. In Riches, D., ed. The conceptualisation and explanation of processes of social change. The Queen's University Papers in Social Anthropology, Volume 3, 1979, pp. 107-140. Introduction, and The study of man as music-maker. In Blacking, J. and Joann Keali'inohomoku, eds. The performing arts: music and dance. The Hague, Mouton, 1979. pp. xiii-xxii and 3-15. Ethnomusicology in Great Britain since 1945. Acta musicologica, Volume LII, Fasc. I, 1980. pp. 62-68. Article on Venda Music. In The New Grove Dictionarv of Music and Musicians, 1980. Political and musical freedom in the music of some Black South African churches. In Holy, L. and M. Stuchlik, eds. The structure of Folk Models. ASA Monograph No. 2. London, Academic Press, 1981. pp. 35-62. Trends in the Black Music of South Africa, 1959-1969. In E. May, ed. Musics of many cultures: an introduction. University of California Press, 1980. pp. 195-215. Le sens musical. Paris, Les editions de minuit, 1980. Collection 'Le sens commun'. pp. 129 (translation of How Musical is Man? 1973 and 1976. Japanese edition of the book published in 1979). Traditional music. In Roland Oliver and Michael Crowder (eds.), The Cambridge Encyclopedia of Africa. CUP, 1981, pp. 442-445. Music in village development and development research. In Participation, needs and village-level development. Jipemoyo: Development and Culture Research 4. Helsinki, Publications of the Finnish National Commission for Unesco No. 18, 1981, pp. 61-72. (ed.), Ethnography of musical performance. Summary of panel discussion and papers presented at The Twelfth Congress of the International Musicological Society. In Daniel Heartz and Bonnie Wade (eds.), Report of the Twelfth Congress, Berkeley 1977. Basel, Barenreiter Kassel, 1981. pp. 383-401. Making artistic popular music: the goa1 of true folk. In Richard Middleton and David Horn (eds) Popular Music 11: Folk on Popular? Distinctions, Influences, Continuities. CUP, 1981, pp. 9-14. The problem of 'ethnic' perceptions in the semiotics of music. In Wendy Steiner (ed.). The sign in music and literature. Austin University of Texas Press, pp. 184-194. A special kind of knowledge. Times Higher EducaYion Supplement, 23rd April, 1982, p. 12. Edited section on African Music in South African Encyclopaedia of Music and contributed articles, Vol. II, pp. 265-508, 1982. Worlds of Music: the anthropology of musical symbols. Cambridge University Press (in press). Cultural development in Papua New Guinea. UNESCO Report, 1983, pp. 66. Audio-visual equipment for fieldwork in Social Anthropology: A short guide for the SSRC. 1982. 9pp. Comments in Current Anthropology, April 1966, February 1969 (2), September 1972, February-April 1973, June 1974, September 1974, etc. Book reviews in TLS, Man, African Music, African Studies, Ethnomusicology, Economic and Social Review, etc. Correspondence in Man, African Music, national newspapers etc. Southern Africa 1 and 2. In The Atlas of Mankind. London, Mitchell Beazley. 1982. pp. 100-103. The structure of musical discourse: the problem of the song text. 1982 Yearbook for Traditional Music, Vol. 14, 1983. pp. 15-23. Songs and dances of the Venda people. In David Tunley, ed. Music and Dance. Fourth National symposium of the Musicological Society of Australia. Nedlands: University of Western Australia. 1982. pp. 90-105. The concept of identity and folk concepts of self: a Venda case study. In Anita Jacobson-Widding (ed.), Identity: Personal and Socio-Cultural, Uppsala 1983, pp. 47-65. Movement and meaning: dance in social anthropological perspective. In Dance Research, The Journal of the Society for Dance Research, Spring 1983, pp. 89- 99. Tradition and change in society. In International Music Education Yearbook Vo1. IX, 1982, pp. 10-21. Ethnomusicology and human development. In Cambridge Anthropology, Vol. 8., No. 1, 1983, pp. 2-16. New Babel or new Jerusalem, cosmic consciousness or cultural apartheid? Studies in Music. No. 17, 1983. University of Western Australia, pp. 9-22. What languages do musical grammars describe? In M. Baroni and L. Callegari (eds). Musical Grammars and Computer Analysis. Firenze: Leo S. Olschki. 1984. pp. 363-37O. The study of 'music' as cultural system and human capability. South African Journal of Musicology, vol. 4, 1984. pp. 1-15. Versus gradus novos ad Parnassum musicum: exemplum Africanum. In David McAllester (ed.), Becoming human through music, MENC, 1985, pp. 43-52. A false trail for the arts? "Multicultural" Music Education and the denial of individual creativity. In Malcolm Ross (ed.). The Aesthetic in Education, Oxford: Pergamon Press, 1985, pp. 1-27. The context of Venda possession music: reflections on the effectiveness of symbols. In 1985 Yearbook for Traditional Music, 1985, pp. 64-87. Movement, dance, music, and the Venda girls' initiation cycle. In Paul Spencer (ed.), Society and the dance, Cambridge University Press, 1985, pp. 64-91. Univerisal validity in musical analysis. ICTM (UK) Bulletin, no. 12, 1985. pp. 13-22. Development studies and the reinvention of tradition. In Lalage B own and Mike Veitch (eds.), The Relevance of Development Studies to the study of change in contemporary Britain, London, ESRC, 1986, pp. 112-126. Culture and the Arts. National Association for Education in the Arts, London, 1986. 22 pp. Musicology and the extension of musical praxis and human musical experience. Boletim de Associac,a^o Portuguesa de Educac,a^o Musical, no. 48, Jan/Mar 1986. pp. 9-13. Graduation as initiation. (Graduation address, CCAT, 1985). Private View, no. 5, Spring 1986. pp. 25-28. Identifying processes of musical change. The World of music vol. 1, 1986. pp. 3-15. Come e` musicale l'uomo? a cura di Francesco Giannattasio. Milano: Rocordi - Unicopli, 1986. 136 pp. H EKFRASH THS ANQRWPINHS MOUSIKOTHTAS METAFPRASH MICALAS GRHGORIOU. AFHNA: EKDOSEIS NEFELH, 1986. 111 pp. [This item is in Greek. I do not know how to transliterate Greek. This is simply what comes up when a Macintosh converts from Symbol font to Geneva. AM] Development studies and the reinvention of tradition. World Development, vol. 15, no. 4, April 1987. pp. 527-532. Games and sports in pre-colonial African societies. In William J. Baker and James A. Managan, eds. Sport in Africa: Essays in social history. New York: Africana Publishing, 1987. pp. 3-22. A commonsense view of all music: reflections on Percy Grainger's contribution to ethnomusicology and music education. Cambridge: Cambridge University Press, 1987. 201 pp. Le percezioni "ethniche". In L. Marconi e G. Stefani, eds. Il sense i musica: antologia di semiotica musicale. Bologna: Editrice CLUEB, 1987. pp. 267-277. Intention and change in the performance of European hymns by some black South African churches. In G. Moon, ed. Transplanted European music cultures: miscellanea musicologica. Adelaide Studies in Musicology, vol. 12, 1987. pp. 193-200. Coda: making musical sense of the world. In A.L. White, ed. Lost in music: culture, style and musical event. Sociological review monograph 34. London: Routhledge and Kegan Paul, 1987. pp. 259-264. Dance and music in Venda children's cognitive development. In G. Jahoda and I.M. Lewis, eds. Acquiring culture: cross-cultural studies in child development. London: Croom Helm, 1988. pp. 91-112. Dancing. A series of six television programmes. Belfast: Ulster Television, 1987-88. (with H. Donnan and G. McFarlane et al.) A review of anthropological research in Ireland, north and south. In L. O'Dowd, ed. The state of social science research in Ireland. Dublin: Royal Irish Academy, 1988. pp. 95-110. Ethnomusicology and prehistoric music-making. In Ellen Hickman and David Hughes, eds. The Archaeology of Early Music Cultures. Bonn: Verlag fur Systematische Musikwissenschaft GmbH, 1988. pp. 329-335. Re-inventing tradition: The future of cultural studies in Africa. In Cristopher Fyfe and Chris Allen, eds. African Futures: Twenty-Fifth Anniversary Conference. University of Edinburgh: Centre of African Studies, 1988, pp. 313-329. (with Kieran Byrne and Kate Ingram) Looking for Work in Larne: A social anthropological study. In Hastings Donnan and Graham McFarlane, eds. Social Anthropology and Public Policy in Nothern Ireland. Aldershot: Avebury, 1989. pp. 67-89. Problems in the documentation and analysis of ritual. In Daniel Law and P.Y. Tsao, eds. Studies of Taoist Rituals and Music of Today. Hong Kong: The Chinese University, 1989. pp. 1-18. Music in the making: problems in the analysis of musical thought. University of California Press (in preparation [according to JB's c.v. of 1986, no record of publication in Queen's University's Vice Chancellor's reports 1985-1989 - AM]).